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Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form.With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation.

With the advent of Digital Motion Picture Cameras and a digital imaging device taking the place of film, DOPs no longer have the option of selecting the optimum film for their application. They must now deal with a "one size fits all" imaging device that is designed to replace all the various film types; what you see is what you get. This means that the use of filters regardless of the capture format rate is even more critical in achieving the desired results. Because the imaging device is designed to be sensitive in low light conditions, it is easily over exposed in bright situations. The Neutral Density filter is used to control light as well as to gain more control over depth of field. Up to now ND filters made with dyes did this job, but passed small amounts of far red to near infra-red light to create their transitional slope between attenuating visual and passing infra-red. In addition to the visual spectrum, digital imaging devices are sensitive to infra-red. This infra-red can have an effect on the quality and the color of the image. Digital imaging devices require higher grade neutral density filters but are sensitive to infra-red (IR). This IR pollution has an adverse effect on the quality and the color rendition of the images - stealing contrast and color, resulting in unwanted color shifts. Greens become a reddish muddy brown and blacks have a magenta hue. In addition, infrared has a different focal length than visible light: therefore, your images may also appear out of focus. To combat this problem, some camera manufacturers use an IRblocking filter in front of the device - most notably, the Sony F and EX Series, ARRI Alexa and the Panavision Genesis. However, when you combine a neutral density filter with cameras containing a built in IR blocking filter, the result is a spike in the far red and near infra-red. For this purpose, Tiffen pioneered the Full Spectrum IR ND Filters designed to provide a true neutral density into the IR spectrum to correct this issue. Tiffen's Full Spectrum IR ND Filters now allow for the use of heavier grades of Neutral Density filters needed for these hi-definition cameras while, at the same time, maintaining color balance. The Tiffen Full Spectrum IR ND filters extend the light transmission characteristics into the infrared region of the spectrum and are essential for the cinematographer using the Sony F and EX Series, ARRI Alexa or Panavision Genesis to control far red and near infra-red, particularly when using heavier densities. Tiffen Full Spectrum IR ND Filters can be used in conjunction with the Tiffen Clear Hot Mirror for Digital Motion Picture Cameras using a CMOS chip sensor which does not use an internal IR Blocking filter such as the RED ONE and SI2K, to fully combat near and far IR pollution across the range. Tiffen Full Spectrum IR NDs are also manufactured in combination with theTiffen Hot Mirror for ease of use in sunshades or smaller Matte Boxes when using these cameras. Both series are...

Over the years, the evolution of motion picture film has seen remarkable advancements, and the KODAK VISION3 500T Color Negative Film 5219/7219 stands as a testament to this progress. This high-quality, professional-grade film is the first in a new generation of films, offering unprecedented control and flexibility at every stage of the filmmaking process. Whether you're working in digital or traditional workflows, this film is designed to enhance your creative vision.The VISION3 500T Film retains the beloved look and image structure of KODAK VISION2 Films, while introducing a plethora of improvements. Kodak's proprietary, advanced Dye Layering Technology (DLT) significantly reduces grain in shadows, allowing you to push the boundaries of exposure while maintaining exceptional results. When scanning scenes with low light, the VISION3 500T Film delivers higher signal-to-noise ratios, ensuring unprecedented image quality.Moreover, the VISION3 500T Film boasts an extended high light latitude, providing greater flexibility when lighting extreme situations and enabling you to extract more detail from highlights. This feature makes it an ideal choice for both indoor and outdoor shooting, and for a wide range of photography and videography projects.The film is wound on a 400-foot roll and is compatible with most professional film cameras. It is balanced for exposure with tungsten illumination (3200K), but can also be exposed with tungsten that has slightly higher or lower color temperatures (+/- 150K) without correction filters. This versatility allows for final color balancing to be done in printing, offering more control over the final look of your project.Whether you're a professional behind the camera or working in a postproduction suite, the KODAK VISION3 500T Color Negative Film 5219/7219 can help bring your project to life like never before. This film is a testament to Kodak's commitment to continually evolving and improving their products to meet the needs of today's filmmakers and photographers.

If you're seeking a camera that seamlessly blends performance and image quality, the EOS R6 Mark II Mirrorless Camera with Stop Motion Animation Firmware is your ideal choice. This camera is designed to let your creativity flourish, whether you're capturing stills or videos, action shots or portraits. The EOS R6 Mark II offers a breakneck speed and class-leading performance, making it a top choice for professional photographers and filmmakers. It allows you to capture fleeting moments at up to 40fps, delivering sensational image quality even in near-darkness. Its AI-based, deep-learning autofocus system locks onto fast-moving subjects with ease, ensuring you never miss a shot.This camera is a filmmaker's dream, offering full-width oversampled 4K 60p footage that looks simply superb. Its intuitive features, such as intelligent autofocus and a powerful image stabilizer, make professional results easy to achieve. The EOS R6 Mark II's next-generation deep-learning AI autofocus delivers an even more powerful performance, recognizing and tracking more subjects with greater speed, reliability, and precision than ever before. It can find and track a wide range of subjects, from people and pets to vehicles and aircraft, adapting as your subject moves and responding to changing speed, direction, and pose.The EOS R6 Mark II is designed to perform in low-light conditions, focusing quickly and precisely even in as little light as -6.5 EV. It offers explosive speed, shooting at up to 40fps with its electronic shutter and 12fps mechanically. Its 30fps RAW Burst mode and pre-release capture feature let you freeze moments that happened up to 0.5 sec before you pressed the button.The camera's in-body image stabilizer works hand-in-hand with the optical IS in many Canon lenses, offering up to 8 stops of protection against camera shake when shooting handheld. This feature allows you to shoot long-exposure photos handheld, intentionally blurring moving subjects while keeping everything else pin-sharp.The EOS R6 Mark II offers a range of professional tools and features for video shooting, including 6K ProRes RAW video shooting with an ATOMOS V+ external recorder, professional audio options, and false color warnings for easy-to-see indication of current exposure levels.The camera's 24.2-megapixel sensor delivers an ideal balance of speed, image quality, and low-light performance. It offers a maximum ISO 102,400 sensitivity and an image stabilizer that's effective up to 8 stops. The EOS R6 Mark II is a highly connected camera, offering quick and easy-to-find controls, extended shutter speeds, a photo/video switch, a new ergonomic power switch, Bluetooth v5.0, 5 GHz Wi-Fi, dual UHS-II SD card slots, and more. It's also water and dust resistant, ensuring you can keep shooting with confidence even in challenging conditions. With the EOS R6 Mark II, you can shoot more and worry less. It's compatible with standard LP-E6NH batteries, allowing you to shoot photos for 50...

Are you a filmmaker or cinematographer seeking a professional-grade, black-and-white film that delivers exceptional quality and reliability? Look no further than the Eastman Double-X 7222/DXN457 Negative Motion Picture Film. This 16mm film, with its SP457 Winding B, T Core, and 1R-2994 Perforation on a 400' roll, is a testament to Kodak's legacy of excellence in the realm of cinematic storytelling.Crafted for both outdoor and studio environments, the Eastman Double-X 7222/DXN457 film thrives in various lighting conditions, from dimly lit scenes to scenarios where a greater depth of field is essential without the need for additional illumination. Its versatility and high-speed attributes make it the go-to choice for filmmakers who demand the best in image-structure characteristics.The film's durability is unparalleled, featuring a scratch-resistant backing and a robust top layer designed to withstand the rigors of physical handling. This ensures smooth camera transport, excellent raw stock keeping, minimal noise during operation, and a low risk of ferrotyping. The gray acetate safety base of the EASTMAN DOUBLE-X Negative Film is complemented by an anti-static layer with lubricant on the back side, further enhancing the film's performance and longevity.When it comes to storage, this film is optimized for preservation, recommending storage of unexposed film at 13°C (55°F) or lower, and processed film at 21°C (70°F) or lower with a relative humidity of 20 to 30 percent for normal commercial storage. To maintain the highest quality, it is advised to process exposed film promptly.In the darkroom, handle this unprocessed film in total darkness. The exposure index, which is 200 for tungsten (3200 K) lighting and 250 for daylight, aligns with standard incident- or reflected-light exposure meters, as well as cameras marked for ISO or ASA speeds. These indexes are calibrated for average subjects and can be adjusted for subjects with unusual light or dark colors.After processing, the film proudly displays its product code numbers 5222 or 7222, emulsion and roll number identification, KEYKODE Numbers, and internal product symbol (E) along its length, ensuring easy identification and archiving.Choose the Eastman Double-X 7222/DXN457 Negative Motion Picture Film for its high-quality, professional, reliable, durable, and versatile characteristics. It's not just a film; it's a canvas for your creative vision, capturing the nuances of light and shadow that bring your story to life.

For filmmakers and photographers seeking a classic aesthetic with modern reliability, the Eastman Double-X 7222/DXN455 Negative Motion Picture Film stands out as a premier choice. This 16mm black-and-white negative film, with its SP455 Winding B and 1R-2994 Perforation on a 100' roll, is a testament to Kodak's legacy of excellence in film production.Crafted for durability and high-quality output, the Eastman Double-X 7222 film boasts a fine grain structure that delivers sharp, detailed images with rich tonal gradation. Its versatility shines in various lighting conditions, from the soft glow of dawn to the harsh brilliance of midday, making it a reliable option for both outdoor and studio settings. The film's high contrast capabilities ensure that every frame captures the nuances of light and shadow, essential for professional-grade storytelling.The physical attributes of this film include a scratch-resistant backing and a process-surviving top layer, ensuring smooth camera transport and excellent raw stock preservation. These features contribute to a low-noise operation during filming and a reduced risk of ferrotyping, enhancing the overall filming experience.The Eastman Double-X 7222 film is designed for general production use, offering filmmakers the freedom to achieve greater depth of field without the need for additional illumination. This high-speed camera negative film is optimized for both tungsten (3200 K) and daylight conditions, with exposure indexes of 200 and 250 respectively, allowing for precise exposure control whether using incident or reflected light meters.Upon processing, the film reveals its unique identifiers, including the product code numbers 5222 or 7222, emulsion and roll number identification, KEYKODE Numbers, and the internal product symbol (E), providing essential information along the length of the film.For optimal performance, it is recommended to store unexposed film at or below 13°C (55°F) and processed film at or below 21°C (70°F) with a relative humidity of 20 to 30 percent. When handling in the darkroom, it is imperative to work in total darkness to maintain the film's integrity before exposure.In summary, the Eastman Double-X 7222/DXN455 Negative Motion Picture Film is a professional, high-quality choice for those who value the timeless look of black-and-white film combined with the practical benefits of modern film technology. Whether capturing a documentary, a narrative film, or experimental visuals, this film provides the reliability and artistic flexibility needed to bring creative visions to life.

Become a part of the cinematic revolution with the KODAK VISION3 250D Color Negative Motion Picture Film. This 16mm SP457 Winding B, T Core, 1R-2994 Perforation, 400' Roll film is the latest addition to the esteemed VISION3 series, renowned for its superior performance and innovative technology. The VISION3 250D Film integrates the exceptional performance of the VISION3 500T Color Negative Film into a medium-speed, daylight-balanced emulsion. This unique feature provides filmmakers with an additional tool to expand their creative horizons. The VISION3 250D Film stands out for its remarkable performance in extreme exposure conditions. It offers increased highlight latitude, enabling faster movement on set and the ability to extract more detail from highlights during post-production. The film also exhibits reduced grain in shadows, allowing for greater underexposure without compromising on the quality of the results. This film is designed to work seamlessly in digital post-production, offering a workflow that combines the best of both digital and traditional film for optimal efficiency and image quality. With its superior resolution and proven, long-term archival capabilities, the VISION3 250D Film sets a new standard in image capture mediums. The film features an Acetate safety base with rem-jet backing and requires total darkness for handling unprocessed film. It is recommended to store unexposed film at 13 deg. C (55 deg. F) or lower, and if storing for longer than 6 months, at -18 deg. C (0 deg. F). The VISION3 250D Film is balanced for exposure with daylight illumination (5500K). For other light sources, correction filters are recommended. The film's graininess is exceptionally low, and its sharpness can be measured and charted in the Modulation Transfer Curve. Experience the authentic charm of film with the KODAK VISION3 250D Color Negative Motion Picture Film. Why emulate film when you can have the real thing?

Because of its superior quality and performance, the KODAK VISION3 50D/7203 Color Negative Motion Picture Film is a top choice for professionals in the film industry. This 16mm SP457 Winding B, T Core, 1R-2994 Perforation, 400' Roll film is a low-speed, daylight-balanced marvel that boasts the world's finest grain structure. This ensures the production of pristine, clean images that are rich in color and detail, making it an ideal choice for high-definition motion picture production.Like its counterparts in the VISION3 Film family, this 50D Film offers unrivaled highlight latitude, providing exceptional flexibility in post-production. Its proven archival stability ensures the longevity of your captured moments, preserving them for future generations. The expanded dynamic range of the VISION3 50D Film allows for increased creative control, particularly in high contrast daylight exteriors. This makes it a versatile choice for a variety of applications, from documentaries and commercials to feature films. Advancements in grain and sharpness, coupled with increased exposure latitude, make this film not only ideal for recorder output but also for capturing detailed images in low light conditions. Whether you're shooting in a studio or on location, the KODAK VISION3 50D/7203 Color Negative Motion Picture Film delivers reliable, professional results every time.

After extensive research and development, Kodak presents the VISION3 200T/7213 Color Negative Motion Picture Film. This high-quality, 16mm film is part of the esteemed VISION3 Film family, renowned for its superior high-definition capture, unparalleled highlight latitude, and reduced grain in shadows. The VISION3 200T/7213 film is a 200-speed tungsten film that cleverly combines the image structure of a 100-speed film with the versatility of a 200-speed product. This unique blend offers filmmakers and photographers the benefits of two films in one, providing an unmatched level of flexibility and creative control. Designed to perform exceptionally well in both controlled interiors and challenging high-contrast exteriors, this film captures intricate details even in the extremes of exposure. This feature not only enhances the quality of your work but also saves time and money on set and during post-production. The film comes with an Acetate safety base and rem-jet backing for added durability. It is recommended to handle the unprocessed film in total darkness and store it at 13 degrees Celsius or lower for optimal preservation. For long-term storage exceeding six months, a temperature of -18 degrees Celsius is advised. The VISION3 200T/7213 film is balanced for exposure with tungsten illumination (3200K). For other light sources, correction filters can be used. The film's graininess is exceptionally low, contributing to the sharpness and clarity of the final image. With the addition of the VISION3 200T/7213 Color Negative Motion Picture Film to the VISION3 Film family, Kodak continues to demonstrate the endless possibilities and power of film. Embrace the future of filmmaking with more options and no compromise.

Mocha maxi dress. Not lined. Cold hand wash only. Model is a standard XS and is wearing XS. True to size. Non stretchy fabric. Polyester. Our Stop Motion Maxi Dress features a unique neckline and is supported by thin shoulder straps. It also has two high slits and an invisible zipper running through the back for ease of wear. Pair yours with a dazzling drop earring and loose bun!  

Olive maxi dress. Not lined. Cold hand wash only. Model is a standard XS and is wearing XS. True to size. Non stretchy fabric. Polyester. Our Stop Motion Maxi Dress features a unique neckline and is supported by thin straps. It also has two high slits and an invisible zipper running through the back for ease of wear. Style yours with a nude strap heel + add loose beach curls!

Stop-motion Animation explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With tips and suggestions to help you get the most out of your films, and with examples from some of the masters of the craft, Barry Purves shows how to make the most of the movement, characters and stories that typify stop-motion.With dozens of beautiful new examples from around the world, this new edition includes a project in each chapter, with pointers on finding a story and characters, developing a script and storyboard, constructing puppets and dealing with the practicalities of film-making. These projects combine to lead you through the creation of your first one-minute stop-motion animation.

Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form.With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation.

Stop-motion Animation explores how all the elements of film-making – camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With tips and suggestions to help you get the most out of your films, and with examples from some of the masters of the craft, Barry Purves shows how to make the most of the movement, characters and stories that typify stop-motion.With dozens of beautiful new examples from around the world, this new edition includes a project in each chapter, with pointers on finding a story and characters, developing a script and storyboard, constructing puppets and dealing with the practicalities of film-making. These projects combine to lead you through the creation of your first one-minute stop-motion animation.

If you're seeking to elevate your film photography to the next level, consider the KODAK VISION3 500T/7219 Color Negative Film, SP464 Super 8 Cartridge, 50' Roll. This high-quality, durable film is the first in a new generation of motion picture films, designed to give you unparalleled control and flexibility throughout the filmmaking process, whether you're working with digital or traditional workflows.The VISION3 500T Film builds on the beloved image structure and aesthetic of KODAK VISION2 Films, while introducing a range of enhancements. Thanks to Kodak's proprietary advanced Dye Layering Technology (DLT), you'll experience significantly reduced grain in shadows, enabling you to push exposure boundaries and still achieve excellent results. When scanning scenes with low light, the VISION3 500T Film delivers higher signal-to-noise ratios, offering unprecedented image quality. Furthermore, the film's extended highlight latitude provides greater flexibility when lighting extreme situations, allowing you to extract even more detail from highlights.This versatile film is compatible with Super 8 cameras, making it a perfect choice for both professional filmmakers and photography enthusiasts. It's balanced for exposure with tungsten illumination (3200K), but can also be exposed with slightly higher or lower color temperatures without correction filters. The VISION3 500T Film is stored on an acetate safety base with rem-jet backing and should be handled in total darkness until processed. For optimal results, it's recommended to store unexposed film at 13°C (55°F) or lower, and for long-term storage over 6 months, at -18°C (0°F). Experience the evolution of film photography with the KODAK VISION3 500T/7219 Color Negative Film, SP464 Super 8 Cartridge, 50' Roll. It's not just a film, it's a tool to bring your creative vision to life.

Quick installation and removal, magnetic filter can be installed in one secondNo color cast, 6-speed dimming (1.8)16-layer nano-coating, with anti-reflection green film, which can effectively reduce the reflection of the filter surface while filtering ultraviolet rays, greatly improving the light transmittance and balancing the color;After the glass is optically polished, a high-tech film is plated on the surface. "Moldproof", "Waterproof", "Scratch-proof" and "Greasy-proof". While having the characteristics of hard scratching, it will not have any impact on the image quality, even if it is contaminated with Water droplets or oil, it can be easily removed;Equipped with aerospace-grade aluminum alloy material magnetic lens cover, both magnetic and threaded, you can install the lens, two-in-one function. Both attachment ring & magnetic metal cover included.

With the rise of digital motion picture cameras and digital imaging devices replacing traditional film, cinematographers are faced with the challenge of adapting to a "one size fits all" imaging device. This shift has made the use of filters, such as the Neutral Density (ND) filter, even more crucial in achieving desired results. The ND filter is essential for controlling light exposure and enhancing depth of field control, particularly in bright conditions where digital imaging devices can easily be overexposed.Historically, ND filters made with dyes were used to manage light exposure, but these filters allowed small amounts of far-red to near infra-red light to pass through, affecting the quality and color of the image. Digital imaging devices, sensitive to infra-red (IR), require higher grade ND filters to counteract this IR pollution, which can result in unwanted color shifts and loss of contrast. For instance, greens may appear as a reddish muddy brown, and blacks may take on a magenta hue. Furthermore, infrared has a different focal length than visible light, potentially causing images to appear out of focus.To address these issues, Tiffen has pioneered the Full Spectrum IR ND Filters. These filters are designed to provide true neutral density into the IR spectrum, correcting color shifts and maintaining image quality. Tiffen's Full Spectrum IR ND Filters extend the light transmission characteristics into the infrared region of the spectrum, making them indispensable for cinematographers using cameras like the Sony F and EX Series, ARRI Alexa, or Panavision Genesis.Tiffen Full Spectrum IR ND Filters can also be used in conjunction with the Tiffen Clear Hot Mirror for Digital Motion Picture Cameras using a CMOS chip sensor, which does not use an internal IR Blocking filter, such as the RED ONE and SI2K. This combination effectively combats near and far IR pollution across the range.These filters are available in various densities, including ND.3, ND.6, ND.9, ND1.2, ND1.5, ND1.8, and ND2.1. They are manufactured using Tiffen's proprietary lamination process, ensuring each effect is captured between two pieces of glass. This process allows for perfect parallelism through grinding and polishing both surfaces, providing worry-free handling for the cinematographer. Made with Water White glass, Tiffen Full Spectrum IR ND Filters offer superior quality and performance for high-definition cameras.

The 5.65 x 5.65" White Water Glass Full Spectrum IRND 0.9 (3-Stops) Filter is a revolutionary tool designed to meet the unique needs of digital cinematographers. In the era of digital motion picture cameras, where a single imaging device replaces various film types, the use of high-quality filters becomes crucial for achieving desired results. This Neutral Density filter is expertly crafted to control light exposure and enhance depth of field, especially in bright conditions where digital imaging devices can easily be overexposed.Unlike traditional ND filters that use dyes and inadvertently pass small amounts of far red to near infra-red light, this filter is designed to provide a true neutral density into the IR spectrum. This is critical because digital imaging devices, while requiring higher-grade neutral density filters, are also sensitive to infra-red (IR) pollution. IR pollution can negatively impact image quality and color rendition, causing unwanted color shifts and potential focus issues.The Tiffen Full Spectrum IRND 0.9 (3-Stops) Filter is specifically designed to combat these issues. It extends the light transmission characteristics into the infrared region of the spectrum, making it an essential tool for cinematographers using cameras like the Sony F and EX Series, ARRI Alexa, or Panavision Genesis. This filter allows for the use of heavier grades of Neutral Density filters while maintaining color balance, even when controlling far red and near infra-red.This filter can also be used in conjunction with the Tiffen Clear Hot Mirror for Digital Motion Picture Cameras that use a CMOS chip sensor without an internal IR Blocking filter, such as the RED ONE and SI2K. This combination effectively combats near and far IR pollution across the range.Manufactured using Tiffen's proprietary lamination process, the Full Spectrum IRND 0.9 (3-Stops) Filter ensures each effect is captured between two pieces of glass. This allows Tiffen to grind and polish both surfaces to achieve perfect parallelism, offering worry-free handling for cinematographers. The filter is made with Water White glass and is available in a variety of sizes, including 4x4, 4x5.650, 5.65x5.65, 6.6x6.6, 95C, 41/2, 138mm, 105C, 72, 77, 82mm wide angle, and Series 9. This makes it a versatile tool for any cinematographer's kit.

Quick installation and removal, magnetic filter can be installed in one secondNo color cast, 10 gears dimming (3.0)16-layer nano-coating, with anti-reflection green film, which can effectively reduce the reflection of the filter surface while filtering ultraviolet rays, greatly improving the light transmittance and balancing the color;After the glass is optically polished, a high-tech film is plated on the surface. "Moldproof", "Waterproof", "Scratch-proof" and "Greasy-proof". While having the characteristics of hard scratching, it will not have any impact on the image quality, even if it is contaminated with water droplets or oil, it can be easily removed;Equipped with aerospace-grade aluminum alloy material magnetic lens cover, both magnetic and threaded, you can install the lens, two-in-one function. Both attachment ring & magnetic metal cover included.

Under the new era of digital motion picture cameras and imaging devices, cinematographers are faced with the challenge of working with a "one size fits all" device, replacing the flexibility of selecting specific film types. This shift has made the use of filters, such as the 4 x 4" Water White Glass IRND 3.0 10-Stop Filter, crucial in achieving the desired results. These devices, designed for sensitivity in low light conditions, can easily be overexposed in brighter situations. The Neutral Density (ND) filter comes into play here, controlling light and offering more control over depth of field. Traditional ND filters, made with dyes, have done this job but have also allowed small amounts of far red to near infra-red light to pass through, affecting the image quality and color.Digital imaging devices are sensitive to infra-red (IR), which can negatively impact the quality and color rendition of images, leading to unwanted color shifts and potential focus issues. To address this, some camera manufacturers, including Sony F and EX Series, ARRI Alexa, and Panavision Genesis, use an IR-blocking filter. However, combining a neutral density filter with cameras containing a built-in IR blocking filter can result in a spike in the far red and near infra-red.Tiffen, a pioneer in the field, has designed the Full Spectrum IR ND Filters to provide a true neutral density into the IR spectrum, correcting this issue. These filters extend the light transmission characteristics into the infrared region of the spectrum, essential for cinematographers using high-definition cameras to control far red and near infra-red, especially when using heavier densities.The Tiffen Full Spectrum IR ND filters, compatible with the Tiffen Clear Hot Mirror, are essential for Digital Motion Picture Cameras using a CMOS chip sensor without an internal IR Blocking filter, like the RED ONE and SI2K. They effectively combat near and far IR pollution across the range. Manufactured using Tiffen's proprietary lamination process, these filters capture each effect between two pieces of glass, ensuring perfect parallelism. This means worry-free handling for the cinematographer. Made with Water White glass, these filters are available in sizes 4x4, 4x5.650, 5.65x5.65, 6.6x6.6, 95C, 41/2, 138mm, 105C, 72, 77, 82mm wide angle and Series 9, offering a comprehensive range to suit various needs.